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Author Archives: thomasreiner
What is a voice? And don’t gender me.
Lost on you by LP: The human voice has a special place in the desire and enjoyment of musicians and listeners. For me, there are voices, like the one you’ve just heard, that strike exactly the right note. … Continue reading
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The Real – 13 October 2017
A live recording of ‘The Real’, the 2nd movement of ‘Lacan: Ein Lehrstück’, arranged for the Monash Art Ensemble conducted by Paul Grabowsky with Jessica Aszodi and Tristram Williams as soloists. 13 October 2017, Music Auditorium, Monash University.
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Re-sound: Sublating the Symbol
Another album of Australian work by some of my wonderfully talented colleagues. Please order directly from Ars Publica.
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Sweet Spots at Deutsche Oper Berlin
So the time has come to talk about Berlin 2016. Jaslyn Robertson, Ralph Whiteoak and I will have works performed at the Deutsche Oper Berlin on November 14 later this year. The performance group is the State Youth Ensemble New … Continue reading
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How to identify musical intervals: a two-step method
Here is something for beginning musicians to learn identify musical intervals from music notation. I have collaborated on this text with the wonderfully talented illustrator and designer Tahl Swieca, whose quirky drawings add a cheeky charm to this publication. It … Continue reading
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Lacan: Ein Lehrstück
Lacan: Ein Lehrstück (2015), for large orchestra, soprano and flugelhorn. Libretto based on the writings of Jacques Lacan. Live recording of the first performance of the first movement: 9 August 2015 at Robert Blackwood Hall, Monash University, Melbourne with the … Continue reading
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Semblances CD – Ars Publica
A semblance can be like a promise. Semblances is available from Ars Publica http://www.arspublica.it/cd_semblances_notes.html
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